Field Notes: Uncertain, TX
I received a contribution to the ‘Wind’ collection recently from club member, Kyle Hughes. It was called ‘Wind Howling Through Swampland, Uncertain, TX. Now, to Americans this is perhaps not that out of the ordinary, but as an Englishman, I was fascinated by the name of this place and that it seemed very remote – and a little eerie! Anyway, something I want to do more of this year is try and get members to write a little bit about their recordings when something out of the ordinary catches my ear or eye – Field Notes, if you will. In this case, Kyle kindly agreed to tell us a bit more about Uncertain, TX.
Hi, Michael asked me to follow up on a recent upload to the ‘Wind’ collection. The reason is that it was recorded in such a remote location; i.e., the swampland of Uncertain, TX, USA.
I went out there to record for a short film in Winter/Spring of 2011, and visited a state park, as well as some local fishing holes. I am from Dallas, TX, and travelled out to Uncertain to shoot on Caddo Lake, at the border of Texas and Louisiana. The swampland is full of cypress trees and the infamous American alligator.
It’s funny- on the drive East, there is a point at which the landscape changes- the trees are all tall pines; it’s like a dividing line.
One night, a few crew members and myself ventured out to a dock on a small pond surrounded by a thick forest of trees. The trees are always covered in a great deal of moss that hangs from the branches, and in the winter it’s all brown and dry. I decided to record because of the howl that the wind made- we were surrounded by trees, but there was open air over our heads. In the distance, I could hear some strange sounds- cars driving over cattle guards, maybe, as well as a distant train blast.
The DP for the film compiled some extra footage into a short web video, which can be seen at the link below. None of the locations depicted are exactly where the wind track was recorded, but you can imagine what it looks like, based on what is seen:
If anyone is interested in seeing the actual short film, you can contact me and I’ll share a private link. It was a student film, but it did have some moderate success, traveling around the world. As far as equipment, it was shot with an ARRI SR3 on Super 16mm film, and all audio was recorded into Sound Devices 702′s, primarily using the Sennheiser ME66.
It is a fascinating place. I find it as intimidating as it is relaxing- welcoming, yet unwelcoming by the twisted natural beauty that comprises it. There are no tourist attractions besides the humble, local diner and twice-a-month flea market. In spring, the colors turn to green and the birds and gators come out. I’ve heard that the town “Uncertain” was given its name because the line dividing Texas and Louisiana was unclear, due to the widespread swamp-lake.
That’s about it- if you’re from the states it may be nothing new, but it’s even quite different from where I live, just a couple hundred miles away. Worth a visit, I’d say.
As with all the ‘Extras’ at the Club, this is a bit of an experiment. The thinking behind it is kind of an evolution from the idea of The Knowledge which I’m considering discontinuing as a feature of the Club.
Unlike the Knowledge’s wide open (but perhaps too vague) ambition for members to collect and share any general notes, tips and info relating to sound collecting, ‘Think Tank’ is intended to simply be a melting pot of ideas and inspiration relating to the Club’s specific themes.
People can contribute photos, articles, videos….pretty much anything they want (in as polished or as rough a state as they wish) as long as it informs or inspires members collecting sounds for one of the Club’s themes.
Contributions to Think Tank can be made using Gimme Bar which, if you’d like to contribute, you’ll need to add to your Bookmarks Bar and then you can simply grab images, articles or videos online to add to the pot. Basically, it’s a sexier and cleverer version of Delicious.
My plan is to invite all members to collaborate with these Gimme Bar collections. If people add stuff, great but, if not, then I’m happy to treat the collections as my personal scrapbooks for members to dip into as they wish. For a while, I’ve been looking for a format to enable me to gather together the various notes, vids, drawings or photos that I seem to accumulate in the process of collecting sounds (‘field notes’ if you will, that are sometimes useful to refer back to but seem a bit scruffy and disjointed to publish in an actual blog post) and I’m hoping that Gimme Bar might provide an attractive solution.
This feature is in a very early beta stage so I won’t go to town fully explaining how to use Gimme Bar in this collaborative way just yet – I’ll build up some of the collections a bit first and then send out collaboration invites to all members. However, if you’re interested in checking out the basic concept a bit further, you can check out my first additions to the pot: I’ve made a small start on a ‘Trains: Design’ Collection by adding a couple of rough vids and jottings I made whilst recently hunting down a Leaf Blower Train to record.
More info to follow in the coming months via the Home page of the website and Twitter.